task #9: fit.
This work primarily focuses on activating alternative spaces. In Task #9: fit, the audience creates a communal place of gathering, while Fitton physicalizes her own personal questions about grief and physical distance in relation to the infinite iterations of what of “fitting in” can mean.
This piece evolves every performance as it is completely dependent on the audience members present.
This piece evolves every performance as it is completely dependent on the audience members present.
PHOTOS
These images were taken by a variety of audience members in three different iterations in December of 2016 , the first at Chez Bushwick (NY), Idio Gallery (NY), and The Draw (WI).
These images were taken by a variety of audience members in three different iterations in December of 2016 , the first at Chez Bushwick (NY), Idio Gallery (NY), and The Draw (WI).
VIDEOS
These videos include the full work from Chez Bushwick, an iPhone video from the Idio Gallery showing, and the promo video for the Chez Bushwick showing.
These videos include the full work from Chez Bushwick, an iPhone video from the Idio Gallery showing, and the promo video for the Chez Bushwick showing.
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AUDIENCE FEEDBACK
"The subtleness of how Fitton became molded within the atmosphere gave the piece a base of support while a world was created around her."
"In this work, Fitton is generous and kind - she creates a comfortable contact."
"The mass movement is generated by connecting people through their own presence."
VERBS: create, activate, destroy, relinquish
"The subtleness of how Fitton became molded within the atmosphere gave the piece a base of support while a world was created around her."
"In this work, Fitton is generous and kind - she creates a comfortable contact."
"The mass movement is generated by connecting people through their own presence."
VERBS: create, activate, destroy, relinquish